To Sarah Suzuki, Associate Director of The Museum of Modern Art
MoMA as the world’s foremost museum of modern art should be the first museum to have the first exemplar of NFT crypto art in its collection.
Just as cyber artworks have found their homes in museums worldwide since the 1980’s, crypto artworks will be entering museum collections worldwide in future.
As an artist whose digital artwork is in the MoMA collection, it will be my honor to gift my 2022 crypto artwork for a MoMA NFT collection. The image below shows me in period garb launching a Rembrandt inspired cyberangel from Rembrandt’s studio in Rembrandt House Museum in Amsterdam flying to MoMA. It will be digitally transferred into an NFT as a gift to MoMA.
The Museum of Modern Art added my experimental digital multimedia artwork Jacob’s Dream: Digitized Homage to Rembrandt to its collection in 1987 after its being exhibited in “The Artist and the Computer” exhibition at the Bronx Museum of the Arts. I had created it when I was simultaneously Chairman of Fine Arts at Pratt Institute and Research Fellow at MIT Center for Advanced Visual Studies.
Mrs. Alfred R. Stern, Chairman of the Committee on Prints and Illustrated Books, wrote on adding my 1986 experimental digital multimedia artwork Jacob’s Dream: “The members of the committee were pleased to accept this computer-assisted etching of Rembrandt’s imagery. As an example of the innovative technological experimentation taking place at Pratt Graphic Center, it will be of great interest to students of the development of graphic techniques.”
In addition to my teaching at Pratt and MIT, I am former art professor at Columbia University and professor at universities in Israel.
Above is the image of the cyberangels artwork that I created for transformation into crypto art as my gift to MoMA.
When you inform me of your acceptance of the gift of my cyberangel crypto artwork, I will contact you to arrange for the digital transfer of the NFT to the Museum of Modern Art.
My email is firstname.lastname@example.org
My second date with Miriam, who became my wife ten months later, was in the MoMA where I explained to her ideas emerging from modern art. The last museum she had visited was the Rijksmuseum in Amsterdam viewing Rembrandts when she was nine years old on her way from Suriname, the Dutch colony in South America where she was born, to live on a farm in Israel.
Top image: Rembrandt inspired cyberangels arrive from Israel at the Museum of Modern Art in New York City in time for lunch at the Terrace Cafe. The biblical words for angel and food are spelled with the same four Hebrew letters to teach that angels are spiritual messages arising from everyday life. Perhaps there is spiritual significance that museums that offer art also offer food.
Third image: Cyberangels spiral up from a NASA satellite image of the Land of Israel on a smartphone screen on the cover of Mel Alexenberg’s latest book . They launch the book throughout the world from the artist/author’s studio in Israel. See praise for the book at .
It creates a visual dialog between a hand-drawn etching, photoetching, and computer-generated etchings based on a Rembrandt drawing in the collection of the Metropolitan Museum of Art that placed Alexenberg’s print in its collection. It was also acquired by the Museum of Modern Art in 1987.
Mrs. Alfred R. Stern, Chairman of the Committee on Prints and Illustrated Books, wrote on adding Mel Alexenberg’s 1986 etching with aquatint, Jacob’s Dream from the series Digitized Homage to Rembrandt to MoMA’s collection: “The members of the committee were pleased to accept this computer-assisted etching of Rembrandt’s imagery. As an example of the innovative technological experimentation taking place at Pratt Graphic Center, it will be of great interest to students of the development of graphic techniques.”